American Aquarium Roadtrip to Raleigh VI: Preview

The ‘City of Oaks’ again plays host to annual pilgrimage for fans of American Aquarium next weekend, January 24-25.

Fans of the North Carolina based American Aquarium have become familiar with the late January trip to the state’s capital and annual roadtrip orchestrated by front man B.J. Barham. Inviting talented artists from other parts of the country, to those right here in our own backyard, Barham meticulously pieces together a solid lineup for the ‘Roadtrip to Raleigh’, now in its sixth year.

Initially gaining notoriety around the Carolinas with a tireless touring schedule, Barham continues working hard to connect with his fans and it is this persistence that has expanded their fan base and led to national tours with sell outs in tow. From humble beginnings the band now regularly visits Texas and has repeatedly played festivals like Mile 0 Fest in Key West (Florida), Music Fest in Steamboat (Colorado) and Medicine Stone (Oklahoma), in addition to traveling across the pond for European tours over the past few years – but none compare to seeing Barham perform on his home turf.

In years past, fans have traveled from all over the United States and even the world to experience these unique back-to-back American Aquarium performances, see others on each bill and take in the hometown sights often referred to by Barham in his lyrics. Once in Raleigh you can, hear “the church bells ringing down at old St. Mary’s” and experience “landlocked nights down at Slim’s” all on your own.

As always, Barham has mapped out the cities finest restaurants, coffee shops and other entertaining establishments (available here), in addition to a new after party each night at Slim’s, return of the ‘Tough Folks’ craft beer and custom tattoo specials.

The full 2020 lineup features, Mike and the Moonpies and Futurebirds on Friday night with Kelsey Waldon and Charley Crockett scheduled to perform Saturday – all ahead of American Aquarium who closes the show both nights. Late night, enjoy The Monologue Bombs (FRI) and Jaime Wyatt (SAT) over at Slim’s.

Mike and the Moonpies (Friday 1/24)

Futurebirds (Friday 1/24)

Kelsey Waldon (Saturday 1/25)

Charley Crockett (Saturday 1/25)

American Aquarium (Friday 1/24 and Saturday 1/25)

Mile 0 Fest 2020: Seven Things to Know Before You Go

Seven things you need to know before you go…

Two weeks from today, a few thousand people will descend upon Key West for one of the best vacations imaginable. For first-timers and veterans alike, these seven tips will enhance your Mile 0 Fest experience as you prepare for four-plus days of the best in Red Dirt and Americana music.

1. “It’s A Marathon, Not A Sprint.”
This is saying many will hear prior to arriving on the island and during the first few days of festival – in particular at Tuesday night’s Duval Street Party. As cliche as it may sound, it is sage advice. Yes, you’re on vacation but this isn’t simply a one-night affair. Shows begin daily at 11:00am and last until 2:00am – that’s 14 solid hours of music for four consecutive days – plan accordingly.

2. Wear Comfortable Shoes
It’s likely a majority of people heading to the southernmost point of the continental United States are coming from cooler climates. With late January temperatures averaging between 71 and 77 degrees, flip flops are appropriate but if you’re not fully prepared to walk a considerable amount in them then consider something a little more practical.


3. Use the Mile 0 Fest App
You’ll want to make use of this important festival perk routinely ahead of time, while on the island and following each show. From being able to plan your own personal schedule to receiving push notifications about updates or changes, there is so much useful information available at your fingertips. Maps, frequently asked questions, a new photo challenge and more already appear on the main menu, in addition to a new ability for offering reviews and feedback directly to the festival from every performance.

4. It’s 5:00 Somewhere
The Truman Waterfront Park Amphitheater shows begin at 5:00pm ET but that doesn’t mean it’s where you should start. Each day there are events beginning at 11:00am ET and it’s here where you can meet new friends, find new artists, and make some of the best memories during the week. Go support these individuals and the variety of different venues associated with Mile 0 Fest across the island.

5. Consider the Environment
Key West is roughly four miles long and just one mile wide at the end of the Florida Keys. As a place dependent on natural resources and tourism, ensuring the sustainability of both becomes the responsibility of everyone who resides on the island. For this reason, expect paper straws and limited single-use plastics. Reusable water bottles are recommended and many venues also offer a discount on beer when using a provided cup of the same nature.

6. Charitable Causes
There’s an abundance of music and good times all across the island but don’t miss out on the opportunity to make a difference while you’re in attendance. Mile 0 Fest is committed to giving back and there are multiple opportunities to contribute to the Red Dirt Relief Fund, Michelle Halpern Foundation and Bahama Village Music Program through the festival sponsored Fishing Derby and signed guitar auctions.

7. Take It All In
From maritime museums to botanical gardens and Ernest Hemingway to Harry S. Truman, there is plenty to see on the island. Best suited for a few extra days before or after the festival, there are plenty of tourist opportunities to ensure you get the full experience of Key West. Mallory Square is known for street performances and sunset celebrations but the amphitheater also offers wonderful late day views from its grassy knoll along the back of the venue if you don’t want to miss any music.

It’s a vacation, trip, festival, etc. unlike any other but it’s also important to remember that it’s the people of Key West and those in attendance, working and responsible for putting on the event – who make it extremely special. A boutique festival with another incredibly talented lineup ensures all of the music heard throughout the week will be spectacular, so have fun, meet new people, take care of your bar tenders and enjoy one of the best times you’ll have all year – guaranteed.

‘The Tulsa Revue’ showcases Oklahoma artists

Multiple Oklahoma artists played the ISIS Music Hall stage in Asheville Friday night – 10/25/2019

Oklahoma is home to red dirt music and while the tag falls in line with other genres, in terms of attempting to label musicians and their particular sound, it’s also a representation of independent artists making music the way they want to make it. Instead of performing songs simply for a paycheck and the sole enjoyment of others, these individuals and bands entertain by telling stories their own way with each set seemingly benefiting both the performer and audience – a catharsis in a setting rarely replicated by those considered to be “main stream” performers.

Last Friday night at ISIS Music Hall in Asheville, ‘The Tulsa Revue’ featuring John Fullbright, Jacob Tovar, Paul Benjaman and Jesse Aycock was a perfect example of the musical hotbed that is the “Sooner State”. Four extremely talented musicians who each have their own solo projects, deciding to join forces and take their combined skills on the road with the end result creating a perfect musical conglomerate.

Opening with a brief introduction by Fullbright, who jokingly discussed how all the group members were friends wanting to, “put their friendship to the test”. The solution was to pack all of their gear and necessities into the smallest van available for a tour. With eight stops across five states in less than a month, to whoever decided these guys should play together outside of Oklahoma – we salute you.

Tovar, who was featured for his set at Medicine Stone earlier this year, opened the show with his unique honky-tonk sound. Utilizing clever lyrics with sensational style, it was immediately apparent everyone in attendance was in for a treat with Benjaman on lead guitar, Fullbright playing keys, Aycock’s lap steel and a quality rhythm section (bass, drum kit) to back them up.

Benjaman was up next with Tovar exiting, taking his turn to shine in the spotlight. Sharing a few songs of his own, the combination seemingly flourished as the night unfolded. In sharp contrast to Tovar, his tone was more low key and groovy, displaying the versatility of each performer.

Fullbright concluded the show with a few solo songs and group performances. Able to command the focus of an audience with his songs, there were multiple moments during his set where the crowd was seemingly hanging on every word or simply amazed at his musical talent.

Closing out with Tovar and everyone else rejoining Fullbright on stage, the group concluded the evening with a hearty rendition of ‘Saved‘, written by Jerry Leiber and Mike Stoller and performed by a variety of artists including Elvis Presley and The Band.

It’s a safe bet that while not everyone in attendance may have known each of the group’s members before the night began – Fullbright, Tovar, Benjaman and Aycock each earned some new fans by turning Asheville – known for its own vibrant music scene – into Tulsa for one extremely special night.

2019 Medicine Stone: 10 Best Things We Saw

Three different stages showcased a stacked lineup as Medicine Stone 2019 did not disappoint.

Year seven of Medicine Stone, originally created in collaboration with Jason Boland and the Turnpike Troubadours, was missing a key contributor at Diamondhead Resort in Tahlequah, Oklahoma this past weekend. After announcing an “indefinite hiatus” in May, fears of an event cancellation surfaced but those behind-the-scenes took steps to ensure a continued, high-quality, weekend of music.

The legendary Robert Earl Keen was tabbed to fill a headlining position and although there was no set from the Troubadours, their presence was felt throughout the festival grounds. Appearances by members of the band, sitting in with others or leading their own projects were witnessed, in addition to covers by many who were there performing and Turnpike songs could often be heard between sets.

Following, in no particular order, are the 10 best things we experienced at this year’s Medicine Stone.

RC and the Ambers

Affectionately referred to as the godfather of Medicine Stone by Doc Fell during his set on Saturday, RC Edwards, bassist for the Turnpike Troubadours, and his project, RC and the Ambers, kicked off the main stage lineup Thursday night. Singing their own original songs, in addition to a few covers, locals got to witness the rise of some of their own as Edwards, Amber Watson and Jordan Cox took the stage alongside Kyle Nix, the Turnpike Troubadours fiddle player. Watson’s angelic voice paired with the gritty Edwards and a harmonic Cox, combine to create a unique and very well received sound.

Osage County

Rain greeted Osage County on the Gravel Bar stage Friday morning, but it didn’t slow anyone down. Fans piled into the area as Cox, who played with RC and the Ambers on day one, put his relatively new band on full display. Leading an entertaining and high-energy set, featuring hits ‘Like I Used To‘, ‘By and By‘, and ‘Wildfire‘ from their debut EP with a few new ones mixed in – it quickly became apparent this group is on a solid trajectory for success after forming just last summer.

Jacob Tovar

Jacob Tovar is the epitome of old-school country music with a resonant voice, honkytonk style and twist all his own. Just as the sun broke through on Friday afternoon, Tovar also began heating up. Joined by pedal steel phenomenon Roger Ray (who featured his talents throughout the weekend by sitting in with multiple artists), and musical genius John Fullbright on keys, his hour-long set spanned the full spectrum of pacing from slow, easy listening, to getting up for a dance and eventually a full-on party. Tovar left fans wanting more as he continues to grow his audience in Oklahoma and beyond.

Courtney Patton

Making her Medicine Stone debut, singer-songwriter Courtney Patton was flanked by fellow songstresses, Jamie Lin Wilson and Kaitlin Butts, all while being backed by Ray and his magical pedal steel guitar. While the harmonies and soulful steel were amazing, it was Patton’s voice and lyrics that carried her 90-minute set. Spectators were greeted with a wave of emotions as Patton dedicated a song to Kylie Rae Harris, a fellow musician who was recently killed in a car accident, just as a perfectly timed gust of wind removed Patton’s hat prior to the chorus. She also covered one of Harris’ songs before taking requests from the crowd, which included ‘Fourteen Years‘, a song about Patton’s own sister who tragically passed away while she was in college. One of the best sets all weekend, Patton made quite the impression on those in attendance.

Max and Heather Stalling

Down at the River Stage, just outside the main venue, Max Stalling was telling his own musical tales while sharing an enjoyable set of his own. Alongside his wife, Heather Stalling, the two share more than a musical connection as her fiddle playing and harmonies add flair to each and every song. Finishing his set with an enthusiastic version of ‘Bass Run‘, Stalling took the time to thank Medicine Stone – as he too was making a first appearance – in addition to everyone who works behind-the-scenes to orchestrate such a large scale event. Especially thankful for the sound engineers, who Stalling referred to as the, “first ones in and last ones out”, both Stalling’s undoubtedly gained many new fans with their performance.

Dixie Chicks Tribute

Fans began piling up in front of the River Stage well before showtime in anticipation of this very special set. Performed only once before, Heather Stalling, Butts, Patton and Wilson joined forces paying tribute to the 13-time Grammy Award-winning Dixie Chicks and their library of hits. After countless classics, this quartet – who were accompanied by a drum kit and upright bass, dialed up the Merle Haggard classic, ‘I Think I’ll Just Stay Here and Drink‘ before paying tribute to the Turnpike Troubadours.

With the fans on their feet and crowding the stage, Butts belted the words to ‘Gin, Smoke and Lies‘ as enthusiastic fans sang along with her word-for-word while Wilson added harmonica before spiking it to the stage. Eventually, they returned to the task at hand with a Dixie Chicks finale as festival goers and fellow artists both looked on well aware they were witnessing a rare but beautiful experience.

Chris Blevins

Henryetta, Oklahoma native Chris Blevins is a rising star. Sharing his own personal songs about triumph and heartache, Blevins voice is a unique instrument in its own right. True performers are able to entertain acoustically or with a backing band and Blevins proved capable of the former with his Gravel Bar set. Granted only an hour on a jam packed lineup, Blevins shared his blended blues and folk styles before a haunting rendition of Jason Isbell’sCover Me Up‘.

Kaitlin Butts

If Carter Sampson, who was also part of the lineup – playing a wonderful set on Friday – is the ‘Queen of Oklahoma‘ then Kaitlin Butts is undoubtedly next in line to the throne. Popping up everywhere, Butts shared her talents and unique voice alongside multiple artists throughout the weekend. From singing with fiance’ and Flatland Cavalry front-man Cleto Cordero, Butts also joined Wade Bowen, American Aquarium, Courtney Patton and multiple others on top of her own Saturday afternoon set. One minute, Butts would be meandering through the crowd watching different performances only to be up on stage the next, enhancing someone else’s song. Her star is continually burning brighter and Medicine Stone 2019 served as a coming out party for this Oklahoma songstress.

Doc Fell and Company

Another artist making his Medicine Stone debut, Doc Fell and Co. drew one of the largest crowds to the Gravel Bar over the weekend. Sharing originals like ‘Peacemaker‘ and ‘Tears In Texas‘, Doc Fell and Co. also debuted some new material. ‘Boxes‘ especially has all the components to be another hit for the local Tahlequah general practicioner. Joined by Jordan Cox on accordian, who Fell described as the “swiss army knife of red dirt” and former Jason Boland and the Stragglers drummer, Brad Rice, the set delivered by Doc Fell and Co. capped with Amber Watson joining Fell on stage for his own version of ‘Beulah Land‘ – an upbeat take on the classic hymn with a personal twist.

William Clark Green

The lineup at Medicine Stone was stacked with legitimate talent and William Clark Green found himself sandwiched between North Carolina’s own American Aquarium and overall festival headliner, Jason Boland. A precarious position but Green answered the bell, dishing out arguably the most memorable main stage set of the entire festival. Before taking down Uncle Bekah in Beer Puppeteer and sitting below the Gravel Bar to enjoy Fullbright’s late-night set, Green was entertaining fans with his own rock-solid performance. Transitioning into an array of classics during a culminating performance of ‘She Likes the Beatles‘ and giving his bandmates an opportunity to shine in the spotlight, Green’s notable set was well worth the wait.

Overall, Medicine Stone proved capable of sustaining the absence from one of their pillars and should continue bringing people – who share a love for live, original music – from all across the country together well into the future.

‘Strings and Suds’ Releases Set Times Ahead of Upcoming Festival

Set times for ‘Strings and Suds Fest’ at Pisgah Brewing Company in Black Mountain on August 23-24.

Fans of live music and craft beer will have an opportunity to enjoy both when the inaugural Strings and Suds Fest takes place in just under two weeks, on August 23-24. Hoosierdevil and Pisgah Brewing Company have combined to present what is going to be a thoroughly entertaining weekend.

Mirrored after the now defunct Jam In the Trees with a few added perks, the new Strings and Suds Fest is set to offer the best in Americana music from many of the top musicians currently in the scene. A two-day event, whose name is derived from a one-time jamboree held in 2013, activities are scheduled to kick off inside the Pisgah Brewing taproom on Friday night before rotating between both the outdoor and indoor stages on Saturday.

The lineup features Danny Burns (8:00pm-8:45pm), Frank Solivan and Dirty Kitchen (9:15pm-10:30pm) on Friday night ahead of Ashley Heath and her Heathens (11:00pm-12:15am) to get things started. Saturday shows kick off with East of Monroe (1:45pm-2:30pm) inside the taproom before Sarah Shook and the Disarmers (2:30pm-3:30pm) get things going outdoors. Fans can then bounce back and forth to catch Yarn (3:30pm-4:15pm), Sierra Hull (5:15pm-6:00pm), Jim Lauderdale (4:15pm-5:15pm), Junior Brown (6:00pm-7:00pm), Donna the Buffalo (7:30pm-8:45pm) and The Mavericks (9:15pm-10:45pm) before a late night jam indoors (11:00pm-Until…) concludes the event.

A limited number of two-day and VIP tickets are currently available with special incentives for the latter – artist meet and greets, brewery tours and tastings, etc. – and a guaranteed good time for everyone. Created around a family atmosphere, both days welcome all ages as patrons are encouraged to bring chairs and blankets for the multiple artists scheduled to perform on Saturday.

Fans will also have multiple options for food as vendors will be on site offering various types of fare for those in attendance. A perfect setting, loaded lineup and excellent beer selection join together in order to form the perfect combination of ‘Strings and Suds’.

Get your tickets HERE.

Mike and the Moonpies Release Surprise New Album Ahead of NC Tour Dates

“Cheap Silver and Solid Country Gold” serves as the next step on a stairway to greatness for Mike and the Moonpies.

For months Mike and the Moonpies have hinted at the possibility of a brand new album and a recent release of the single, ‘You Look Good in Neon‘ only added fuel to the fire. ‘Danger‘, a song penned straight to lead-singer Mike Harmeier’s young son has also been a part of the set list for a while but there was no word on when (or even if) the full record was coming.

Then came midnight on Friday, August 2, 2019.

The band first created a stir by blanking out their social media profiles earlier in the day and the group’s website also appeared offline. Then they reappeared, first as a full silver slate before turning to gold later in the evening. Finally, at midnight many fans knew what to expect but the album, and story behind its recording, were far better than anyone could have imagined.

Pushing the limits and proving to think outside-the-box, producer Adam Odor and David Percefull took the band to the historic Abbey Road Studios in London. Harmeier cut a cover of  ‘London Homesick Blues‘ from Gary P. Nunn and the entire record is backed by London Symphony Orchestra members.

The Moonpies haven’t swayed too far from center though, there’s still plenty of country guitar licks available from Catlin Rutherford and smooth pedal steel out of Zach Moulton. Kyle Ponder keeps everyone in line on the drums and bassist Omar Oyoque, a fan favorite at live shows, is noticeably solid making his Moonpies album debut, in addition to former traveling member John Carbone on keys. Guest appearances from Shooter Jennings, Nikki Lane and Season Ammons are also scattered throughout the track list.

An eight-song journey that seemingly arrived out of nowhere taking listeners through the witty lyrics of ‘Miss Fortune‘, an upbeat ‘Fast as Lightning‘ with an exceptional ending and the title track, ‘Cheap Silver‘ that precedes the aptly named “Solid Country Gold”.

Arguably the best live show around just got even better with the (hopeful) addition of these novel and soon to be classics. Harmeier continues to impress and you can witness it all for yourself next month across North Carolina.


09/05 – The Grey Eagle – Asheville – TICKETS AVAILABLE HERE

09/06 – Puckett’s Farm Equipment – Charlotte – TICKETS AVAILABLE HERE

09/07 – Hopscotch Music Festival – Raleigh – TICKETS AVAILABLE HERE

Max and Heather Stalling set for two NC dates this week

Not one, but two opportunities to see Max and Heather Stalling this week!

Max and Heather Stalling are a singer-songwriter duo based out of Dallas, TX. Max handles rhythm guitar and lead vocals and Heather provides fiddle and harmony vocals. Their collaboration has been a long time in the making and they are excited to bring their show to new audiences.

Heather is an award-winning violinist and fiddle player who picked up her instrument at 3 years old and has never stopped playing it since. As a child she traveled with her parents across Texas and the surrounding states competing in fiddle contests. As a teenager she moved to Branson, MO to be a member of the “The Texas Gold Minors”. They performed 7 days a week for two straight years. Upon returning home she took side jobs playing for various touring acts to include Johnny Lee, Cory Morrow, Bob Schneider, Ed Burleson, Mark David Manders and The Old 97s. In 2005 she put together her own project, blactopGYPSY, released two full length studio albums and toured relentlessly until the lead singer (and her best friend) became gravely sick.

Max followed a slightly different path into the music business. He has a master’s degree in horticulture from Texas A&M University and left a day job as a research scientist for snack food giant Frito Lay to pursue a full-time career as a songwriter. He has 6 studio albums and two live projects including a full-length DVD. He is a staple in the Texas/Red Dirt scene as well as having chart-topping history in the Americana radio format. He has a star on the South Texas Music Walk of Fame and is a former member of the Board of Governors for the Texas Chapter of NARAS. In addition to solo and duo shows, Max travels with a five-piece band and does 150+ shows annually. Of recent, Heather has been playing with Max’s band after her band’s lead singer fell ill.

Max and Heather were married in 2007 and are now finally finding that the timing is right for them to do a project together.
While they perform the occasional song they have written together as well as a handful of cover songs, the bulk of the show is songs that Max has written in his 20+ year career as a performing singer-songwriter. First-time listeners can expect a fun and witty show balanced between solid original songs, amazing fiddle playing and fun banter.

Thursday – July 18 at The Evening Muse (Charlotte, NC) – 7:00pm Doors*

Friday – July 19 at The Grey Eagle (Asheville, NC) – 7:00pm Doors**

In support – *Rob Baird, **Stephen Simmons

Mile 0 Fest releases impressive 2020 line-up

The third installment of Mile 0 Fest may be their most impressive to date.

Three years ago a brand new festival, Mile 0 Fest, popped up on the red dirt and Americana scene down in Key West, Florida. A logistical hurdle to secure acts and patrons at the southernmost point of America, the first lineup was too impressive to ignore. Since, the folks at Oh Wook! Productions and those working with their organization, including the city of Key West, have arguably created the best festival in the country and a 2020 initial lineup stacked with talent proves it once again.

BACK FOR YEAR THREE: Wade Bowen, Jack Ingram, Cody Canada and the Departed, Shinyribs, Mike and the Moonpies, Jamie Lin Wilson, Bruce Robison, Walt Wilkins, Jason Eady, Courtney Patton, Kaitlin Butts, Tina Wilkins, Carter Sampson, Red Dirt Rangers

RETURNING FROM YEAR ONE: Jason Boland, William Clark Green

RETURNING FROM LAST YEAR: Randy Rogers Band, American Aquarium, Reckless Kelly, Shane Smith and the Saints, Flatland Cavalry, The Band of Heathens, Kevin Fowler, Micky and the Motorcars, John Fullbright, Adam Hood

MAKING THEIR INITIAL APPEARANCE: Jason Isbell and the 400 Unit, Robert Earl Keen, Whiskey Myers, Lucero, Hayes Carll, The Steel Woods, Cory Morrow, Will Hoge, Brent Cobb, Charley Crockett, Roger Clyne and the Peacemakers, Senora May, John Baumann, Kelly Willis

If you’ve been, then you know – If not, book now – check our reviews from 2018, 2019, some tips for concert goers and thank us later.

Justin Clyde Williams’ “Preamble”: A Statement EP

Hear the “Preamble” from Justin Clyde Williams – AVAILABLE NOW.

Listen on SPOTIFY
Listen on AMAZON

Thanks to social studies and history classes almost everyone is familiar with the word preamble – but typically only because it comes before, “to the Constitution.” However, a more in depth review reveals its true meaning – “a preliminary or preparatory statement, an introduction.” As Justin Clyde Williams releases his debut EP, it seems an appropriate and fitting title.

Four songs in length, “Preamble” begins with three originals before a cover of Townes Van Zandt’s ‘Pancho and Lefty’, taken to No. 1 by Willie Nelson and Merle Haggard in 1983. Putting his talent on full display and coupled with its three predecessors, listeners get just what the title suggests – an introduction to how Williams views the world of music and the world an introduction to Williams.

‘Signin’ On That Line’ begins with an upbeat tempo and although attacking divorce – a serious subject, it hits home for those who may be on their way out of a legal union but destined for a brighter future. A clever characterization, Williams admits, “I’ve packed my bags, ’cause this roads at a crossing / I’m signing on that line, I should’ve been walking.”

In somewhat of a contrast, ‘Damn Me for Doing You Wrong’ follows by putting all self reflective feelings of a broken relationship on full display. The fiddle mixes well as Williams pines through each verse and chorus carrying listeners on a classic tale of hurt and blame. Halfway through it’s apparent that country music remains alive and well – not just by sound alone, but in the depth and transparency of his lyrics.

‘Wounds’ keeps pace with more deep sentiments of hardened hearts and tough times. “This wound I have, time won’t heal / What I tried to hide has been revealed / I’m the wound that time won’t heal.” Guilt, sorrow and remorse linked to bruises, scrapes and cuts – all of which time normally serves to fix except for the self deprecating personal issues that have never been made to sound so good.

The ‘Pancho and Lefty’ finale completes a solid debut EP and fits well not only to display Williams’ versatility but also his deeper storytelling aspects intertwined within a similar lyrical style. A combination of the bandit wearing his feelings on his sleeve “for all the honest world to feel” and Lefty, who used to “sing the blues all night long” – Williams’ own enigmatic persona begins to surface. Leaving his own impression on the tale results in a perfect complement for what was a daring proposition – electing to include a timeless classic pieced together by some of the best ever over all musical genres.

Every artist takes a true leap of faith by putting their music out into the world for consumption and by these standards Williams is no different. Even before his songs reached the public airwaves, they served as a fulfilled accomplishment and impacted many throughout the southeast – one goal every artist strives to achieve. “Preamble” sets the stage for Justin Clyde Williams’ raw, natural sound that doesn’t need the polish of heavy production while creating anticipation for what is next.

These four songs serve as an appetizer but when the time comes, imagine what the full meal will entail.

Listen on SPOTIFY
Listen on AMAZON


5/4 – Stateline Music Fest – Shelby, NC – 1:30pm
5/5 – Red’s Watering Hole – Gaffney, SC – 4:00pm

5/6 – Shooters Lounge – Hickory, NC – 8:00pm*
5/7 – Ground Zero – Spartanburg, SC – 8:00pm*
5/8 – Shooters Lounge – Hickory, NC – 9:00pm
5/9 – The Vine – Granite Falls, NC – 8:00pm
5/10 – Steady Eddy’s – Matthews, NC – 7:00pm
5/11 – Home in Carolina Music Fest – Boiling Springs, SC – 5:00pm
5/12 – Sasha’s on the Lake – Catawba, NC – 3:00pm

5/16 – Daddy Joes – Gaffney, SC – 7:00pm
5/17 – Shooters Lounge – Hickory, NC – 10:00pm
5/18 – Steady Eddy’s – Matthews, NC – 8:00pm
5/19 – Bear Creek Marina – Nebo, NC – 2:00pm

5/22 – Shooters Lounge – Hickory, NC – 9:00pm
5/23 – Plum Hollow Fest – Campobello, SC – 8:15pm
5/24 – Eighth and Rail – Opelika, AL – 9:00pm

*Supporting Billy Don Burns

See more at

‘Strings and Suds’ are coming to Pisgah Brewing Company

A new festival with a revived name is set for Pisgah Brewing Company in Black Mountain this August.

Fans of live music and craft beer will have an opportunity to enjoy both when the inaugural Strings and Suds Fest takes place August 23-24 this year. As the festival approaches, RedDirtNC caught up with Steve Johnson, a consultant for Hoosierdevil, to discuss the lineup and a few details about the event.

Mirrored after the now defunct Jam In the Trees with a few added perks, the new Strings and Suds Fest is set to offer the best in Americana music from many of the top musicians currently in the scene. A two-day event, whose name is derived from a one-time jamboree held in 2013, activities are scheduled to kick off inside the Pisgah Brewing taproom on Friday night before rotating between both the outdoor and indoor stages on Saturday.

Three bands, including Asheville’s own Ashley Heath and her Heathens are scheduled to play first. Joined by Frank Solivan and Dirty Kitchen plus Danny Burns – these groups appear poised to set the bar for an excellent musical weekend. On Saturday, The Mavericks headline a stacked lineup featuring Jim Lauderdale, Sarah Shook and the Disarmers, Junior Brown, Donna the Buffalo, Sierra Hull, Yarn and East of Monroe.

A limited number of two-day and VIP tickets are currently available with special incentives for the latter – artist meet and greets, brewery tours and tastings, etc. – and a guaranteed good time for all. Created around a family atmosphere, both days welcome all ages as patrons are encouraged to bring chairs and blankets for the multiple artists scheduled to perform on Saturday.

Fans will have multiple options for food as vendors will be on site offering various types of fare for those in attendance. A perfect setting, loaded lineup and excellent beer selection join together in order to form a perfect combination of ‘Strings and Suds’.

Get your tickets HERE.