Live Review: Cody Canada and the Departed in Asheville – 09/29/2018

The legendary Cody Canada and the Departed rocked Asheville over the weekend.

There are few names synonymous with red dirt music and rarely do these individual’s who helped cultivate an entire music scene across the country visit North Carolina, but on Saturday night, Asheville got to experience one of the best with Cody Canada and The Departed. Absent a tour stop in NC over the past two years, it was a welcome return and one that those in attendance truly appreciated. Canada brought a set list of songs from The Departed’s latest album, “3” and a few hits from his previous band, Cross Canadian Ragweed in addition to some covers and a tribute to Tom Petty.

While on stage Canada briefly spoke about his reconciliation with Mike McClure who produced the latest album and also shared a meaningful story related to his song, ‘Pay‘. While even further from Texas than North Carolina, at a tour stop in Oregon, Canada ran into a fan named Travis Moore, sharing a special story behind the song. On Saturday, Canada dedicated the song to him as it once saved his life – keeping Moore alive during a down time after he heard it play while contemplating suicide.

Canada also departed from his traditional guitar to play one created by 357 Custom Guitars, a local company. Playing ‘Constantly‘, the aforementioned ‘Pay‘ and a few other songs on the new axe, Canada mentioned the guitar had been designed for students at his new School of Rock in New Braunfels, Texas but after his test run (maybe jokingly) said it wouldn’t reach the hands of his students.

There were a few moments in the set where Canada gave way to bass player Jeremy Plato, who he’s known since the sixth grade and being playing music alongside for numerous years. A talented musician in his own right, the two are backed by beats from the always entertaining Eric Hansen on the drum kit.

The new three person interpretation of The Departed will forever be in tact according to Canada – at least until his two sons are of “legal drinking age.” It definitely works as Hansen fits in seamlessly between Canada and Plato like he’s been there all along.

A wonderful, energetic, and entertaining show that shouldn’t be missed once Cody Canada and the Departed return to North Carolina – hopefully before both his boys join the band.

Shinyribs sashays across NC this week

Shinyribs is a band unlike any other with the cure you need, even if you didn’t know you did…

Shinyribs, a name synonymous with high-energy, can’t miss performances and the ability to entertain through stage presence, voice, music and the sheer talent of everyone involved – audiences are always left wanting more after any of their shows. From the always fun and thoughtful introductions to a never know what you’re going to get show, Shinyribs has been wowing audiences throughout the land since 2007 and in their current form for the past few years.

Led by lead singer Kevin Russell, formerly of The Gourds, Shinyribs began as a side project before morphing into the awesome show they are today. Performing both their own original music and a number of covers, Shinyribs never fails to delight and their reputation precedes them.

Born and raised in Beaumont, East Texas, Russell’s been variously dubbed (mostly by himself), the Baryshnikov of the Big Thicket, the Pavarotti of the Pineywoods, the Shakespeare of Swamp Pop, or the Shiniest Man in Showbidniz. One of the pioneers of Americana as a member of The Gourds, Russell took his musical inspiration from the fertile Ark-La-Tex turf. In the immortal words of the title track to their most recent album, “I Got Your Medicine,” Shinyribs have the cure to whatever ails you, moving that ass until you’re a helpless member of the Kevin Russell-led “all-in” conga line which snakes through the audience at the close of every show. “It’s the universal dance anyone can do,” he says. “Nobody feels self-conscious or out of place. It’s a great way to get everybody involved. You can’t really top that.”

Whether you are familiar with the sounds of Shinyribs or not, one thing is guaranteed. You will be entertained. Always worth the price of admission, Russell and his crew never disappoint and he’s spreading the cure to your ails across North Carolina this week.

I Got Your Medicine,” was released in 2016 and couldn’t have come equipped with a better title. Even if you’re oblivious to this gaping hole in your musical spectrum, Shinyribs can fill it after witnessing just one live performance.

The combination of country, folk, bluegrass, funk, rap and any other genre you can think of creates a sweet elixer of enjoyment that you won’t soon forget.

Upcoming NC Dates:

Wednesday, October 3 – The Grey Eagle, Asheville (TICKETS AVAILABLE HERE)
Thursday, October 4 – The Ramkat, Winston-Salem (TICKETS AVAILABLE HERE)

Medicine Stone 2018: The 10 best things we saw over the weekend

Following are the 10 best things we witnessed during Medicine Stone 2018…

The sixth annual event created in collaboration with Jason Boland and the Turnpike Troubadours takes place annually at Diamondhead Resort on the banks of the Illinois River in Tahlequah, Oklahoma. This year’s event brought an extremely talented lineup to entertain the thousands in attendance who travel not only from all of Oklahoma but also neighboring states and even halfway across the country – as we did. In no particular order, here are the 10 best things we experienced at our first-ever Medicine Stone event.

Camping

To get the full Medicine Stone experience attendees need to camp or stay at one of the on site bunkhouses. Offerings from areas only large enough for setting up a tent, to “glamping” upgrades and even RV spaces complete with full hookups, there is a variety of different options from which to choose. The camaraderie established between attendees in only a short period of time is fun to watch. Life-long friendships are created and strengthened, meals are shared, parties last into the wee hours of the morning and musical talent can easily be found outside of the festival lineup as many artists bring instruments to entertain campsites at all hours of the day and night.

Illinois River

The weather didn’t cooperate for patrons to take full advantage of the Illinois River but it also didn’t keep people from giving it their best shot. Day one provided the best opportunity as the sun beat down ahead of an impending rainfall forecast for Friday and those campers who were ready when the gates opened, completing set up before lunch crowded into the river ahead of BC and the Big Rig kicking things off at 3:00pm. Setting up lawn chairs and just enjoying the fellowship of other concert goers, pack a bathing suit because regardless of what Mother Nature had to offer, the river still beckoned those who wished to float or relax as people made their way down to the water every day.

Yellow House Revisited

Some of the greatest musicians to come out of Oklahoma have ties to the Yellow House in Stillwater, following the dissolution of The Farm – including Mike McClure, Cody Canada, and Jason Boland. These three reunite on occasion and when they do it provides for a must see experience. All talented and entertaining in their own right, when the three share a stage the stories, lyrics, and music are endless.

Crowded into Mary Ellen’s Greenhouse (one of two side stages), which Boland shared was the namesake of a family friend and subject of his song by the same name on the Rancho Alto album, patrons were treated to a song swap before the grand finale – Carney Man.

The crowd asked and Canada reluctantly obliged after stating he was saving the song for his own set later in the evening. The first track on the very first Cross Canadian Ragweed record, Canada retired the song from his repertoire for many years before recently bringing it back. A crowd favorite, although Canada teased they were “easily entertained”, hearing it live with McClure was epic.

Reckless Kelly

Scheduled to perform on the main stage Friday evening, Reckless Kelly had their set moved into Mary Ellen’s Greenhouse which lead singer Willy Braun affectionately nicknamed, “The Cheeseburger Tent”. Turning a negative into a positive, the tight confines allowed for an intimate set with one of the best in the business and Reckless Kelly didn’t disappoint.

Ending their set with a tribute to Prince and inspired by the continuous downpour outside, Purple Rain ignited the crowd and helped everyone to forget about the dismal weather conditions. Admitting they hadn’t played that song in quite some time, the band showed no signs of rust as it was one of the highlights of the entire festival.

Jamie Lin Wilson

In her first performance since giving birth to her fourth child, a baby boy, Jamie Lin Wilson greeted fans with a toast. “Here’s to the first show since last Christmas without a baby in my belly – cheers.” Set to release her new album, Jumping Over Rocks, in late October, Wilson wowed the crowd by triumphantly owning the stage back from her maternity leave.

The Medicine Stone debut of Oklahoma Stars, a single from her new record written by Wilson and Evan Felker of the Turnpike Troubadours (who previously released the song), took on an entirely different feel at the place of its inception. Hearing her sing, “on the banks in late September” brightened an otherwise dreary day as Wilson shone like the sun throughout her entire set.

John Fullbright

In the first three minutes of John Fullbright‘s early afternoon set inside Mary Ellen’s Greenhouse he captivated the audience grabbing everyone’s attention with dynamic guitar skills which were surprisingly overmatched by his ability to control the harmonica.

Fullbright not only entertained with exceptional talent but also shared some jokes, displaying a vibrant personality while on stage. His Satan and St. Paul, in addition to Fat Man, which displayed his ability on the keys, ended with an accentuated foot to the keyboard. A rousing set of songs touching on a number of emotions, Fullbright is not to be missed.

Turnpike Troubadours

The originally scheduled finale for night two, the Turnpike Troubadours returned after a brief hiatus of touring to “open” for Jason Boland and the Stragglers on night three. Another first in Medicine Stone history, both Turnpike and Boland performed on the same night.

Turnpike picked up right where they left off showing no signs of what has been a noticeable break, entertaining the crowd for what felt like a homecoming performance as many of the current members hail from Tahlequah and the surrounding area.

Uncle Bekah’s Inappropriate Trucker Hats

No matter where you found yourself on the grounds of Diamondhead Resort you didn’t have to look far to find an inappropriate trucker hat created by Uncle Bekah. One patron told her she had the best vendor booth on site and two doors down they were passing out free shots of whiskey – he wasn’t wrong.

Hats available in a range of colors, Bekah has taken her concept and organically grown it into a modern day phenomenon deeply rooted in the music scene. There’s already an option for seemingly every occasion but should you find yourself in need of something new, one can be created in seconds.

Rain

Medicine Stone 2018 brought the rain – literally. A brief shower early Friday morning gave way to more steady rainfall as the day progressed. By mid-morning clouds covered Diamondhead Resort and a rain never before seen in festival history ensued.

As the main stage flooded, every performance was relocated to Mary Ellen’s Greenhouse, the only covered venue on site. A tent city was erected out onto festival grounds as patrons attempted to get as close to the action as possible.

The performers, fans, and especially those responsible behind the scenes handling equipment and changing out stage setups for each act, all deserve a round of applause for making the best out of a difficult situation.

Collaborations

Often the highlight of a festival atmosphere when so many talented individuals are gathered at the same location, the collaborations witnessed over the course of the event were amazing. Beginning on night one with Koe Wetzel joining Wade Bowen after his own set and extending to both the Turnpike Troubadours with Jason Boland and the Stragglers sharing the stage on night three, many once in a lifetime moments were witnessed.

Kaitlin Butts joined Flatland Cavalry for their hit song, A Life Where We Work Out, Jamie Lin Wilson sang alongside Wade Bowen and Cody Canada, who joined Reckless Kelly for a monumental performance of the song performed by both, Crazy Eddie’s Last Hurrah.

Cody Braun played alongside seemingly everyone on Friday, on stage with Jamie Lin Wilson, his own Reckless Kelly, Cody Canada, and Charley Crockett. Fullbright also joined The Red Dirt Rangers and Austin Meade for a few songs.

Jason Boland sang without a guitar, hands stuffed into his jacket pockets alongside The Departed, jokingly stating that he didn’t know what to do with them.

Overall, Medicine Stone was an amazing festival full of quality music, people, and memories that will last a lifetime.

Medicine Stone 2018: Day 3 Preview

Preview every main stage artist set to perform on Day 3 (Saturday) of Medicine Stone…

Medicine Stone is just two days away, kicking off at Diamondhead Resort in Tahlequah, Oklahoma on Thursday, September 20. Now in its sixth year of existence, the festival continues to grow and attract fans from all over the country to the home of red dirt music.

The music begins at 11:30am on Saturday with the main stage lineup set for a 5:25pm start, featuring each of the following:

Red Dirt Rangers (5:25pm)
“The act that represents Red Dirt? You couldn’t do any better than the Red Dirt Rangers, who’ve been carrying the banner for Red Dirt music since the late 1980s.”

Red Shahan (6:50pm)
“The red-headed troubadour with the lonesome howl and penchant for somber portraits of busted boom towns and gritty, white-knuckled anthems.”

Flatland Cavalry (8:15pm)
“Lubbock roots-country outfit Flatland Cavalry straddles that line between the Panhandle and the badlands of West Texas with their bright, earthy country ballads and gritty folk ramblers. Vocalist and chief songwriter Cleto Cordero’s honest, smooth songwriting revolves around the vernacular world of West Texas that he’s constructed with dusty, sun-soaked character sketches, brooding self-evaluations, and candid love songs that all have the ability to turn into singalong anthems.”

Jason Boland and the Stragglers (10:00pm)
“That mix of subtle musical sophistication and unruly Oklahoma junkyard pedigree has resulted in some of the best independent honky tonk in recent memory.”

View the complete Day 3 Medicine Stone music lineup here.

Medicine Stone 2018: Day 2 Preview

Preview every main stage artist set to perform on Day 2 (Friday) of Medicine Stone…

Medicine Stone is just two days away, kicking off at Diamondhead Resort in Tahlequah, Oklahoma on Thursday, September 20. Now in its sixth year of existence, the festival continues to grow and attract fans from all over the country to the home of red dirt music.

The music begins at 11:30am on Friday with the main stage lineup set for a 5:00pm start, featuring each of the following:

Jamie Lin Wilson (5:00pm)
“No one covers the spectrum of age and experience quite like Jamie: moving portraits of men, women, and children coping, striving, wondering, and celebrating.”

Reckless Kelly (6:10pm)
“Reckless Kelly is a great band with an apt name. The outlaw’s spirit pervades the ambiance. They are rugged individualists who dedicate themselves to advancing the state of their art.”

Cody Canada and the Departed (7:35pm)
“There’s plenty of amplified crunch, Red Dirt twang, roadhouse-worthy guitar riffs, story-based songwriting, and the familiar rasp of Canada’s voice — an instrument that’s been sharpened by years of raw, redemptive shows.”

The Toadies (9:00pm)
“Burst[ing] onto the scene in 1994 with the breakthrough Rubberneck, including the singles “Possum Kingdom,” “Tyler.”

The Turnpike Troubadours (10:30pm)
Narratives put to music are nothing new, but Evan Felker and his bandmates have upped the ante, creating a web of unforgettable characters that show up on album after album in songs that are both catchy and musically complex: men and women with their backs against their wall, represented realistically but also imbued with dignity.

View the complete Day 2 Medicine Stone music lineup here.

Medicine Stone 2018: Day 1 Preview

Preview every main stage artist set to perform on Day 1 (Thursday) of Medicine Stone…

Medicine Stone is just two days away, kicking off at Diamondhead Resort in Tahlequah, Oklahoma on Thursday, September 20. Now in its sixth year of existence, the festival continues to grow and attract fans from all over the country to the home of red dirt music.

The music begins at 3:00pm with the main stage lineup set for a 6:00pm start, featuring each of the following:

Read Southall (6:00pm)
This band from Stillwater, OK gets things going on night one.

Koe Wetzel (7:15pm)
East Texan native based out of Stephenville, TX. Texas Rock N’ Roll.

Wade Bowen (8:45pm)
Long-time Texas artist and a staple in the scene.

Randy Rogers Band (10:30pm)
The Texas-based band has kept its lineup intact since 2002, and the group has reached the Top 5 of Billboard’s country albums chart with each of its last three studio releases, including 2016’s “Nothing Shines Like Neon.” The group recently completed a new album, set for mid-2018 release, at Nashville’s historic RCA Studio A with GRAMMY-winning producer Dave Cobb (Chris Stapleton, Jason Isbell, Sturgill Simpson).

View the complete Day 1 Medicine Stone music lineup here.

Ever More Nest and Kelcy Mae: Finding Her Place

Kelcy Mae tours NC ahead of her new album, ‘The Place That You Call Home‘ due out October 12…

Shreveport, Louisiana native and New Orleans based singer-songwriter Kelcy Mae has been writing music and touring on a mission of self discovery for many years. Recording three albums (Half-Light, 2014 – Pennies in Hand, 2011 and The Times Compiled, 2007) along her journey, it never seemed she had quite found her place but that is changing.

Aided by producer Neilson Hubbard, Mae captured her vision for ‘The Place That You Call Home‘, creating Ever More Nest and compiling a record full of songs that blend Americana, folk, southern rock and story-telling depth with lessons in life, love, frustration, and inner soul searching.

Traveling with guitarist Dave DeCotiis, the duo has multiple stops across North Carolina this week where you can hear these songs and experience the smooth, bold, live performances of seeing Mae on stage.

Prior to her first stop, RedDirtNC caught up with the rising star to find out more about ‘The Place That You Call Home‘, her musical influences and Ever More Nest.

RDNC: Can you briefly share the backstory behind your career, how Ever More Nest began and what ultimately led to the upcoming album ‘The Place That You Call Home‘?

KM: I’ve been performing as Kelcy Mae for the last few years. I started pursuing music more seriously after finishing grad school (MFA in Poetry), when I was able to focus more on songwriting. I put out a couple records and toured a bit. After my last record (Half-Light), I felt like I really hadn’t quite found myself and my groove yet. I think of those last few years of touring and performing as a journey in self-discovery. By 2017 I had a number of songs I knew I wanted to record and a specific aesthetic I wanted for them. That led to the birth of Ever More Nest. Neilson Hubbard (Producer on ‘The Place That You Call Home‘) helped me manifest that vision on the record, and now I’ve got the band to back it up. Kelcy Mae didn’t feel like the right name and identity anymore, and it didn’t help its case that people misspell it nearly all the time. Ever More Nest helped free me creatively and allow me to explore the Americana aesthetic dear to my heart.

RDNC: What are your favorite songs off the new album and can you share any lyrical highlights, why?

KM: The album is so new that I’m still in love with these songs. I’m so excited for people to hear them and to play them live. Major Tom is definitely one of my favorites. The lesson of letting go has truly been life-changing for me over the last year. As discussed in the Atwood Magazine video premier, it’s a song that came to me quickly in a low moment right after the presidential election. Learning how to stay active and engaged with my world and how to know what I can and can’t control, what I can and can’t contribute, was really helpful to me in all aspects of my life. I feel so at home in that song, floating in space as it were, I know nothing but what I know, and this world done lost me a long time ago. I feel like Major Tom, out of control. And of course the song ends with the line, “I feel like Major Tom, letting go”.

Another current favorite is Broken Bones. The title for the album comes from this song, No one can break your heart quite like the place that you call home.Written after the major flood that happened last year in New Orleans, it’s a song about the frustrations of “home.” For me, of course, that’s New Orleans. My favorite lyrics are in the bridge, “Broken streets, broken homes, broken hearts that roam alone along broken streets, broken homes, broken hearts that beat through beating“. The next lines speak to the rhetoric we all get from our civic leaders who say they’re doing everything they can for us, for the betterment of society, community, whatever. “Tell me one more time how you’ve got me on your mind…one more time for the people at the end of the line“. “Home” can be so insanely frustrating, especially for those less fortunate—living with dysfunction, be it on a familial or city scale, is heartbreaking.

RDNC: What does the title, ‘The Place That You Call Home‘, reveal about the album’s overall theme and impact?

KM: I’ve always been interested in the idea of “place.” For me, the title isn’t strictly literal, though, like it more or less is within the song Broken Bones. “Home” can be a lot of things. So can “place.”I chose it for the album because I think the idea of place permeates the entire record. And looking at the record now, I can see that it’s a record about finding my place in the world. I feel like this is simplifying a more complex bigger picture, but that’s the easiest way to describe it, I guess.

RDNC: Who have been your musical influences and did any one in particular have an impact on this particular album?

KM: My musical influences have varied over the years, but I’ve always loved that southern, Americana sound. Direct influences on this record include Emmylou Harris (Wrecking Ball) and probably Ryan Adams’ former band Whiskeytown. Lucinda Williams and Lucero as well. Caroline Spence has become a big influence–it was her record ‘Spades & Roses‘ that led to my working with producer Neilson Hubbard. Other favorites include Aimee Mann, Bon Iver, Bonnie Prince Billy, Gregory Alan Isakov, and Jose Gonzalez.

RDNC: How would you describe the sound of the album to any potential new fans?

KM: I imagine the artist influences I just named can give you a general idea of the sound of the record. It’s southern country and rock and roll with lyrics that hopefully make you do a double take. I think it’s something you can listen to on a lonely dirt road or on a bustling city street. It’s gritty, yet lush … We can’t wait to be back in North Carolina. Hope you all remain safe and dry–we’re rooting for you as Florence approaches.

Upcoming Tour Dates:
9/17 – The Town Pump (Black Mountain, NC) – 9:00pm
9/19 – The Dinghy (Isle of Palms, SC) – 7:00pm
9/20 – ISIS Music Hall (Asheville, NC) – 7:00pm
9/21 – The Evening Muse (Charlotte, NC) – 7:00pm
9/22 – Mystery Brewing (Hillsborough, NC) – 8:30pm

Find more at www.kelcymae.com/shows

Medicine Stone 2018: Full lineup and stage guide

Check out the full lineup and stage guide for Medicine Stone 2018 below…

Medicine Stone 2018 is fast approaching as event planners and festival organizers have put together another incredible lineup for the sixth straight year. Beginning on Thursday (9/20) at 3:00pm CT, live music fills a majority of each day with sets from all of your favorites up until the wee hours of Sunday morning. There will be plenty to keep you entertained.

Couple that with camping underneath the ‘Oklahoma Stars’ by close friends, meeting new people and sharing in a love of music and you’ve got all of the necessary ingredients for a pretty spectacular weekend.

Following is a look at all of the scheduled events and where to catch your favorite artist or band when they take to the stage at Medicine Stone in less than one week!

THURSDAY, SEPTEMBER 20

3:00pm – BC and the Big Rig (Gravel Bar)
4:30pm – RC and the Ambers (Gravel Bar)
6:00pm – Read Southall (Main Stage)
7:15pm – Koe Wetzel (Main Stage)
8:45pm – Wade Bowen (Main Stage)
10:30pm – Randy Rogers Band (Main Stage)
12:15am – Micky and the Motorcars (Mary Ellen’s Greenhouse)
12:15am – The Vandoliers (Gravel Bar)

FRIDAY, SEPTEMBER 21

11:30am – Dave Kay (Gravel Bar)
1:00pm – Brandon Aguilar (Gravel Bar)
1:30pm – Jason Boland, Cody Canada and Mike McClure (Mary Ellen’s Greenhouse)
2:30pm – OK Film and Music Winner (Gravel Bar)
3:00pm – John Fullbright (Mary Ellen’s Greenhouse)
5:00pm – Jamie Lin Wilson (Main Stage)
6:10pm – Reckless Kelly (Main Stage)
7:35pm – Cody Canada and the Departed (Main Stage)
9:00pm – The Toadies (Main Stage)
10:30pm – Turnpike Troubadours (Main Stage)
12:15am – Charley Crockett (Mary Ellen’s Greenhouse)
12:15am – Dirty River Boys (Gravel Bar)

SATURDAY, SEPTEMBER 22

11:30am – Randy Crouch (Gravel Bar)
1:00pm – Thomas Trapp (Gravel Bar)
1:30pm – Mike McClure Band (Mary Ellen’s Greenhouse)
2:30pm – Austin Meade (Gravel Bar)
3:00pm – Kaitlin Butts (Mary Ellen’s Greenhouse)
5:25pm – Red Dirt Rangers (Main Stage)
6:50pm – Red Shahan (Main Stage)
8:15pm – Flatland Cavalry (Main Stage)
10:00pm – Jason Boland and the Stragglers (Main Stage)
12:15am – Bo Phillips (Mary Ellen’s Greenhouse)
12:15am – The Dirty Mugs (Gravel Bar)

Live Review: Parker McCollum and Randy Rogers Band in Charlotte – 09/08/2018

Two singer, songwriters from the heart of Texas greeted an energetic crowd at Coyote Joe’s on Saturday night…

Football was in the air on Saturday in Charlotte with the hometown collegiate 49ers hosting in-state rival Appalachian State and the Carolina Panthers set to face off against the Dallas Cowboys one day later. However, the Cowboys weren’t the only team from Texas visiting the Queen City as rising star Parker McCollum and the established veteran lineup of Randy Rogers Band (RRB) took over the 103.7 Superstage at Coyote Joe’s.

A late arriving crowd filled the venue just in time for the 26-year old, Austin based, Parker McCollum that earlier this year signed a publishing deal with Warner/Chappell Nashville. Riding the momentum behind his sophomore release Probably Wrong, out in late 2017, McCollum has dialed in to a sound many people gravitate towards while combining it with meaningful lyrics and smooth melodies.

McCollum brought a nice mix of upbeat country in hits like ‘New Orleans‘ and the slower, soulful lyrics from ‘Hell of a Year’ before capping his extremely entertaining 45-minute set with crowd favorite ‘Meet You in the Middle‘.

Not knowing what to expect from a live performance of McCollum, his first in Charlotte, the talented Texas native left no question that he is a rising star worthy of headlining future shows outside of the normal confines for Texas country and red dirt music.

No stranger to venturing outside of their comfort zone, Randy Rogers Band, a staple in the scene took the stage following McCollum. The dance floor was packed with little room left to move once Rogers stepped to the mic.

Greeting fans with classic hits, love songs, drinking songs, goodbye songs, lonely songs and even one titled ‘Goodbye Lonely‘ – which Rogers initially penned after being told to not write anymore songs about goodbye or lonely – the RRB puts on an impressive live performance.

Honing their craft with over fifteen years of experience with the same lineup, RRB is keeping country music alive. No frills, no nonsense – Rogers is a legendary entertainer who has enjoyed success as a singer, songwriter, manager and now restaurant owner after Chopshop Live recently began operation in Roanoke, Texas. A live event space with full food service just outside of Dallas-Fort Worth, Rogers opened the venue on July 14 of this year.

Both entertainers combined to create a memorable experience for everyone in attendance on Saturday as North Carolina is already looking forward to a return from Parker McCollum and Randy Rogers Band very soon – even though the Panthers won.

Parker McCollum SETLIST 09/10/2018

Fake Out
Lonesome Ten Miles
The Truth
New Orleans
Happy New Year
All Day
Misunderstood
I Can’t Breathe
Memphis Rain
Hell of a Year
Silhouette
Meet You in the Middle

Randy Rogers Band SETLIST 09/10/2018

This Time Around
Buy Myself A Chance
Tonight’s Not the Night
Goodbye Lonely
10 Miles Deep
Just A Matter of Time
One More Goodbye
Down and Out
Lonely Too Long
Speak of the Devil
Interstate
Steal You Away
Last, Last Chance
Fuzzy
Tequila Eyes
Satellite
San Antone
Too Late for Goodbye
In My Arms Instead
Kiss Me in the Dark
–Encore–
Trouble Knows My Name

A Perfect Combination: ‘Jam in the Trees’ 2018 Review

The third installment of ‘Jam in the Trees’ took place over this past weekend in Black Mountain…

A surprisingly cool evening for August in North Carolina, even for the mountains, greeted fans and those affectionately becoming known as ‘jamsters’ outside Pisgah Brewing in Black Mountain on Friday night. The beginning to what is quickly becoming a premiere event for the area in only its third year of existence, ‘Jam in the Trees’ continues to exceed expectations.

The star studded lineup featured three intimate sets on Friday night inside the venue as the capacity crowd spilled out into the picnic area toward the food trucks on hand. Outside, preparations for Day 2 could be heard from the outdoor stage, adding anticipation to the event as a whole.

Asheville based singer and songwriter Jane Kramer kicked off the night with a few songs setting a high bar for the evening of music to follow. Quickly capturing the attention of everyone on hand with ‘Truck Stop Stars’ and a few songs from her upcoming album (Fall 2018), Kramer was joined by Andy Buckner on stage before ending her opening set.

The hip hop and bluegrass combination known as Gangstagrass followed, energizing the crowd. A blend of lyrics and song styles thought to have no place in the same realm of music comes together to create an intense live and thoroughly entertaining performance. RSON the Voice of Reason effortlessly composing flawless lines while managing to bring in notations of Asheville and other bands on hand was something to witness.

The evening ended with another Asheville band, Fireside Collective, who had many local fans in attendance. Their upbeat set put an exclamation point on night one, warming up Pisgah Brewing for a full day of entertainment on Saturday.

The festivities kicked off just after lunch for a full day of great music as those returning from Friday and all new ‘jamsters’ were greeted by sets from The Po Ramblin Boys of neighboring Tennessee and Andy Buckner, who was joined by his full band on stage with Jane Kramer adding some nice harmony.

A quickly alternating pace between the outdoor stage and indoor venue kept the music flowing like much of the craft beer on hand – no worries though, PBR is also available in addition to a self-serve water station complete with available cups and its own tap.

Music from the Slocan Ramblers, Lindi Ortega and Jerry Douglas carried patrons through the afternoon before Sirius XM Outlaw Country host Elizabeth Cook pulled up a barstool to the mic inside for an amusing set of her original songs and a few comedic stories.

Outside, Virginia based The Steel Wheels began a run of memorable performances which would ultimately conclude the third annual ‘Jam in the Trees’ leaving only a late night mix of different artists in attendance to literally jam for a bit culminating with Americana icon Jim Lauderdale hosting after performing his own set earlier in the day.

Shooter Jennings and The Travelin McCourys preceded that late night session with the festival’s only back-to-back outdoor stage performances. Jennings led into his set with ‘Bound Ta Git Down’ off his new album, “Shooter” and followed with a few others mixed with some old favorites.

The Travelin McCourys then concluded this increasingly popular event quickly becoming a mainstay of Pisgah Brewing. An awesome atmosphere surrounded by the Blue Ridge Mountains, host venue and lineup created the perfect combination continuing momentum for year four when the ‘Jam in the Trees’ returns.