Live Review: Outlaw Music Festival in Charlotte 2.0

The Outlaw Music Festival returned to Charlotte with a revamped lineup for a midweek show…

When Willie Nelson walked off the stage in Charlotte just a few weeks ago it left fans feeling a variety of mixed emotions. Some were angry, others disappointed and everyone confused about what exactly was taking place behind the scenes. Nelson had sauntered into view not once, but twice, picking up his guitar and then lowering it again without playing a single note. After a second departure, the show was officially cancelled.

Days later he announced a future return and about a week following the June 20 date became official. Initially it appeared Nelson would again be joined by Sturgill Simpson, who performed originally, but the concert was removed from his tour website just days after being published.

It was obvious Nelson would bring back one or two acts and eventually the pieces fell into place for what transpired to be an amazing lineup. Essentially, those with an original ticket got to see Mitchell Lee, The Wild Feathers, Old Crow Medicine Show, Sturgill Simpson and each of the following, including Willie Nelson all under one bill – well worth making a return trip to Charlotte from about anywhere.

SArah shook and the disarmers

The Chapel Hill based Sarah Shook and the Disarmers returned from a tour of Denmark and Sweden just in time for the Outlaw Music Festival and it was a perfect match. Shook captivated an early arriving audience with a few songs off her latest album, Years, which was named one of the best from the first half of 2018 by Rolling Stone and Wide Open Country.

Sometimes the jump from local bars and other familiar venues to a nearly 20,000 seat stadium or amphitheater can be intimidating but Shook’s confidence and sound translated well to the festival crowd on hand. Many in attendance were even chanting for an encore performance following her set, the first of what would be an incredible evening of live music in the Queen City.

jamey johnson

Alabama native Jamey Johnson was next to take the stage and his stripped down set was especially entertaining. Johnson proved he needs only a guitar and his sonorous southern drawl in order to receive standing ovations from any crowd. Electing to never play from a set list, Johnson is free to perform whatever he pleases which included some covers and a few original hits.

The first to make reference of Willie missing his original show, Johnson jokingly commented that he had never known the great one to not perform when scheduled but that it was “still hot” – in reference to the heat and humidity blanketing Charlotte.

Many on hand would have also elected to have Johnson continue singing his songs, but the tight schedule didn’t allow for much wiggle room and his nearly hour long set passed quickly.

the avett brothers

The night’s next performers were a crowd favorite. Hailing from Concord, just a few miles northeast of PNC Music Pavilion, The Avett Brothers joked they could have walked. A draw for many in attendance, the group didn’t disappoint with many up tempo originals and a one special cover.

In tribute to Merle Haggard, the band was joined on stage by Mickey Raphael, playing harmonica, for a stirring rendition of ‘Mama Tried’ much to the crowd’s delight. Both Seth and Scott Avett took turns leading everyone along a musical journey during their 12-song set which featured hits from throughout the groups career.

From ‘Satan Pulls the Strings‘ (2016) to ‘At the Beach‘ (2004) it was evident the band knew their home audience well, making the most of their time to perform and showing a true appreciation for those in attendance.

Willie Nelson

Such a diverse and impressive lineup could only be followed by a few artists in history and Willie Nelson provided that opportunity. His brief entry and exit back in May was entertaining, even without striking a chord and on Wednesday, Nelson appeared both healthy and excited to make his return a memorable one.

As a living legend, Nelson commands attention and was greeted with a thunderous ovation. He waved to the crowd, picked up Trigger (his guitar) and almost immediately struck the first notes of ‘Whiskey River‘ as he has done countless times before.

Always the first song of his set, Nelson continued putting out hit after hit with, ‘On the Road Again‘, ‘Mamas Don’t Let Your Babies Grow Up to be Cowboys‘, ‘Crazy‘, ‘Still Not Dead‘ and ‘Angel Flying Too Close to the Ground.’ Nelson even highlighted new music with, ‘Something You Get Through’ off his latest album – Last Man Standing.

Engaging the crowd from his entry and never looking back, Willie made only one brief quip about feeling as though “he had been here before”, attempting to make light of his previous departure.

He more than made up for an early exit previously and Blackbird Presents did an astounding job of piecing together an excellent lineup. A midweek date wasn’t ideal but any time spent seeing someone of Nelson’s status live is well worth the opportunity.

Live Review: MerleFest 2018, Friday

One of the largest music festivals in the world, MerleFest, recently took place here in North Carolina…

MerleFest 2018 began on a rainy Thursday evening but Friday’s weather could not have been more perfect. A more festival feeling took over the grounds of Wilkes Community College as attendees filled their seats early in the day and were set up for the long haul. Performances taking place across 11 different stages at various times throughout the day helped to break up the crowd while the valley in front of the Watson Stage remained near capacity.

Artists were in and out of their various appearances as fans were entertained and individuals had more than a fair share of opportunities to see and hear whatever they wanted. Throughout the day, a few of the sets stood out above the rest as we made our way through what would unfortunately be our final day of the festival.

Brandy Clark

The Washington native singer/songwriter took to the Watson Stage on Friday afternoon a bit behind schedule but well worth the wait. Clark got the attention of everyone with her story telling capabilities and detailed lyrics behind many of her songs from her most recent album, “Big Day in a Small Town.”

Never one to mince words, Clark wowed those on hand with hits like, “Girl Next Door“, the title track “Big Day in a Small Town” and “Daughter” – a revenge song of which Clark is particularly proud. Looking around during her set, there were many on hand who were familiar with her work but it is also a safe assumption that Clark gained many new fans by putting together a well rehearsed set and connecting to the audience via her small town stories to which many on hand could relate.

Cathy Fink and Marcy Marxer with Sam Gleaves

Earlier in the afternoon, the duo of Fink and Marxer with special guest Sam Gleaves entertained the main stage crowd from the front porch of the Cabin Stage. One of our favorite pre-festival interviews, Fink and Marxer are prevelant members in the folk music community having won multiple GRAMMY Awards while creating original music for fans of all ages.

Rosie and the Riveters

Making their North Carolina and MerleFest debut, Rosie and the Riveters brought their unapologetic approach to many of today’s controversial issues through song to the crowd – also from the Cabin Stage. The female trio recently released their second album, “Ms. Behave” and included the title track into their unfortunately brief 25-minute set.

Jamey Johnson

Country music icon Jamey Johnson concluded the main stage lineup to end night two of MerleFest. Johnson beckons the memory of many past entertainers who can captivate an audience with simply a guitar and his voice. There is no need for flashing lights, background tracks, computerized sounds or anything not man made live when Johnson is on stage.

The simplicity of his set, where Johnson shines as he doesn’t work from a list but instead plays anything he pleases, is anything but … while his entertainment value reaches peak perfection. Earlier in the afternoon, Johnson shared his thoughts on a number of subjects via an interview with many of the media members on hand.

When asked about his favorite writer, Johnson said, “Nobody turns a phrase like [Kris] Kristofferson.” The Texas legend who had graced the Watson Stage just one night prior. It was an epic ending to the second day of MerleFest here in North Carolina.

The weekend continued as many more artists and entertainers graced numerous stages throughout the complex over Saturday and Sunday. The MerleFest experience is unique in a variety of ways and should definitely be attended, regardless of the lineup – which is annually too good to pass up.

Taking place over the last weekend of April every year, go ahead and prepare for the thirty-second installment set to occur next year.

MerleFest 2018: Jamey Johnson

As MerleFest 2018 approaches, a highlight from one of the 100+ performing acts will be featured daily…

The Washington Post considers him to be “one of the greatest country singers of our time.”

Since Johnson doesn’t create a set list, no two shows are the same, so the once-in-a-lifetime concerts will be unforgettable. “I don’t know what I’m going to do until I am standing there doing it,” he says. “That is a freedom I have enjoyed ever since I began doing this, the ability to try something new.

For the last decade, Johnson has earned critical and commercial success for his traditional country sound. His 2008 album, That Lonesome Song, was certified platinum for 1 million in sales, and his 2010 double album, The Guitar Song, received a gold certification. He has been nominated for 11 Grammys.

In addition, he is only one of a few writers in history to win two Song of the Year Trophies–for “Give It Away” and “In Color—from both the Academy of Country Music and the Country Music Association. He has received tremendous praise from The New York Times, Rolling Stone, The Wall Street Journal and other publications.

In 2012, he released the Grammy-nominated Living for a Song: A Tribute to Hank Cochran. In 2014, he created his own label, Big Gassed Records, to release his own songs and albums as well as the music of other artists.

Tour information provided courtesy of www.jameyjohnson.com

If you’ve never witnessed a Jamey Johnson set live then do not miss Friday (April 27) night’s MerleFest finale. If you have, then you already know to be there.

Friday, 9:45pm-11:00pm (Watson Stage)

View the full MerleFest schedule and stage lineup here.